And Russ and I had big discussions about, "How late in the day are we? What's our key fill ratio and what's our color dynamic from the key side to the fill side?" So if you're midday, there's not much of a color dynamic, you get a little bit of blue in the sky, but if you're late day, it really pulls apart by thousands of degrees Kelvin. We're just finding the space to get your light back far enough to make a very convincing sun.Ĭameron: The sun was important because there are many flavors of sun. You have to make it all look like one sun, but then we had other lights clustered around that and they would make strategic strikes. So we worked with one very strong element, it's called an ARRI Max. We ran out of space on that huge set where the Sea Dragon was. Cameron: What did you use for your main sun elements, Russ? I can't remember.Ĭarpenter: Well, it really depended.
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